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This week, the audio book of KILL ME, DARLING will be released with the great Stacy Keach as the reader. The book is already available from Audible for download, and Barb and I started listening to it in the car on a trip to the Quad Cities this weekend, and are saving the rest for our next, longer-distance car trip. What a wonderful job Stacy is doing.
Check out the great audio book cover, which I actually prefer to the Titan one (which is very cool, but ignores the Florida setting).
It’s hard for me to express what it means for me to hear Stacy Keach read these novels (he’s done the prior six Spillane/Collins “Hammer” collaborations). Stacy – and I know him well enough to name-drop with that familiarity – is the most famous and certainly the most popular screen Mike Hammer of all time. I was not always crazy about producer Jay Bernstein’s TV version of HAMMER, but Stacy was consistently terrific and he captured the character beautifully, even perfectly. He became the Hammer of several generations.
Of the various Hammer projects I’ve been involved with, the two audio “radio play”-style full-cast, full-length dramatizations for Blackstone are among my favorites. The first one, THE NEW ADVENTURES OF MIKE HAMMER VOLUME TWO: THE LITTLE DEATH won the Audie for best original work, and the second, THE NEW ADVENTURES OF MIKE HAMMER VOLUME THREE: ENCORE FOR MURDER, was similarly nominated. I am very proud of those two audios, and owe a big thanks to producer Carl Amari. Also, since my late friend Mike Cornelison played Pat Chambers in both, they hold a special place in my heart.
We almost missed out on having Stacy read the audio of KILL ME, DARLING – in fact, we almost missed out on having an audio at all. For reasons I can’t fathom, although I may have been asleep at the wheel myself, Blackstone Audio was not approached in a timely fashion. Audio publishers like to be publish simultaneously with the books themselves. I didn’t check on this until early February, and when I found the ball had been dropped somewhere along the line, rushed to get Blackstone and Stacy together on this. Bless them both for jumping on board with little notice. As it is, the audio is appearing a couple of weeks after the book’s initial availability.
If you’re a Hammer fan and you haven’t listened to Stacy Keach read these new Hammer novels, you are really, really missing out.
From my point of view, a Hammer novel doesn’t feel real to me until I’ve heard Stacy read it.
I was nervous about KILL ME, DARLING – although frankly I love the book – because it was the first time I had a shorter chunk of Mickey’s work to expand and complete (less than fifty double-spaced pages as opposed to one-hundred). Would readers and reviewers find this as authentic a Hammer novel as the previous ones? So far the response has been overwhelmingly positive.
Partly, I think, that’s because this is only the second of the Hammer’s I’ve completed that dates to Mickey’s most popular period (late forties/early ‘50s – the other being LADY, GO DIE!, chronologically the second Hammer novel). KILL ME, DARLING is the book that would have followed KISS ME, DEADLY – in other words, it picks up right where that hugely popular novel left off…right where Mickey left Hammer fans dangling for what would be a decade.
The next partial Spillane “Hammer” manuscript I complete will also be from the ‘50s. I feel privileged and thrilled to be able to fill in those missing years.